DRAW BLOOD OR GO HOME
___________________________________________
CONTRIBUTORS
James Yeary
Joshua Buckley
Andy di Michele
Leon 5
tentatively, a convenience
Ben Litman
Bill DiMichele
Joshua Buckley
Andy di Michele
Leon 5
tentatively, a convenience
Ben Litman
Bill DiMichele
___________________________________________
James Yeary
must be other
transit would
darkness
about myself i
Joshua Buckley
Vivian
blinddrawingatkilns
kilns
circles
section
Andy di Michele
forget
that (I-IV)
waiting. wanting to forget to speak.
remembering angelick skat amongst the recalled shibboleth
hedgerow
remembering cacaphonic ear of différance amid tallow pauses
remembering oublier conjugal
remembering self-reflexive aporias of excommunication
remembering mastodon, old maps, rum, the slime and salt
remembering
{remembering}
(remembering)
remembering nothing, having forgotten
the text has lifted
( ) fish is out of
the water
the associations disintegrated
the syntax relatively irrelevant
( ) explanation is
pointless
still not remembering to forget to report
this is the crux of what isn’t
margin of abyss, vespers, terror and soup
anok of exquisite obfuscation
singularly repetititive (“repetititive”)
ether rivets torqu’d via blake w/light-being tissue
cells (par-, sal-) amid pilates fragments in a tertium
dream. soundtrack by ouspensky.
silence is distillation. or just distilling?
what is fermenting, fermentation itself?
oublier corn squeezings, la meme chose
or-
mine
ou
where
-e
aigu
rubik form@
Schüßle to Rajneesh ‘gypsy
inflammation-immunity-indigestion ( ) am
predisposed to autocannibalization
free radical scavenger (XIII)
5 = 6
12 = florin
take it towards the H kush to dissolve crisscrossward
make it for words fake in the solo-mono discrepancy
of the rexagon overlaid, pentacl- this
multi-that
mem-mere
Schisandra
thathatha…
thusly,
laughter
th@
intravenom, aum electr- comme
a diagonal
line into the futur-text or 4th dementiabwoon
worship is lucid ba’al leviathanor hand full of
black sand crushed into light
4th
(gatha)
½ doz – two
eosmash; meek pyramid:
dakini cloudlets foam the turbine wisp.
hemoglobin angels winging the bat cave. milk in the
parabola. blood in the
arcavex. titanium flow in the
jackelope. density in the
destiny. april mule heaved over in the
circuitry. hexagon daughter
in the galactic module of home entertainment.
there's no zigzag'n the protein. jetlagged kali.
hibiscus whisper. the gnome is running the wire.
nutmeg tarmac leylines of the inca-maya airliner
down radio-
levitate concentri-
beat
waiver-yield-bliss-uncertain
exactitude :æ
statement made under
solicited duress circa 2007 (?) [+2012]
poetry :side-effect to perceptively living a certain inadvertent
way
words, phrasings are unique lingual-tactile signs left (un)intentionally
throughout nature, culture, subjective contours. the seer and the seen are
different perspectives of an ecstatically confused holism. that’s ok. that’s
the challenge and the thrill of (re)discovery. it’s a matter of density (of
perception) and destiny (of person-ness). perhaps
*remind: “it’s all been said now
to wake up and unsay it”
pilcrow :one
of the oldest and least understood (and most under-used and overly abused)
modalities that still may yet fuse the sciences and the humanities into a
future fission, beyond the retinal and the conceptual. it’s a matter of
shedding cultural accretion and embedding oneSelf in a unique other(ness).
possibly
pilcrow :sometimes a necessary component in the liberation of humanity
from it’s own illusory system of cages. sky, lake :mirror’d
:is
sometimes entertaining, but is never entertainment. sings the flowers out of
earth, bees to nectar. posthumously written to celebrate {the} phenomen(on)/[a]. deascend
pilcrow :reveals
and hides what it must or can…mode choice: stealth? whistle-blower?
pilcrow :beside a tree
falling in an uninhabited forest, a sutra unweaving itself aloud 23x +here ð
pilcrow :warp and
woof confusing up with down woman for man profane for sacred animal for whoman.
Y
poetry :the recycled, contradictory, clichéd serpent
eating its potentially tempting lull-a-binary tale. yawn
q
xcod
medication: tonic, soma, ambrosia, medicine, tincures, golden pill, elixir, fermented foodstuffs,
distillations, potions, essences,
cell salts, homeopathic remedies, recovery concoctions, bodily fluids,
electrolytes, minerals, etc.
hemoironic mud
|
tongues: skat, slanguage, pollock all-overism, black silence, white
noise, rainbow cacophony, aviary-rainforest chatter & birdsong, pond
& field wah-wah of frog, locust, etc., leyline fonts, etc.
(mantra)
such
|
(anti)synergy: venn palimpsest, schrodingers cat,
catch-22, aporias, tarot exponentiality, alchemical process, ecosystem,
spiraling eurekas, catalyticism, species,
various system branching off/out, etc.
THIS lithoiconic blood
|
maneuvers: yoga, pilates, kinesthetic runography, pollock all-overism , -ing,
etc.
(tantra)
thus
|
epic breath: maximus, cantos, FW, A, alk-mem, pollock all-overism, tarot
sequence, grail, i-ching tort-crack, fibbonaci, (non)prime #s, etc.
TWO HOURS (dormez-vous?)
burl, scrawl, gpsentrism
|
modul-
metaphor, symbol, allegory,
the individual, etc.
hexus
… ero(
)ica
IT
|
meditation: be-here-now, laughter, weeping, etc.
TWO MINUTES (yantra)
gawk
transparency
¶
|
modal-
metaphor, symbol, allegory,
culture, etc.
seer
-nessness
h)i(erochthonic …
|
the (so-called) whole: 10neg43, cataclysm-ism, solstice-equinox sentience slalom, maya end
date tarmac, perforations in the reversed present, as, etc.
thickness
that
|
ON
THE SHELF/DOCK/QUEUE
ur-/un-/mega-declassifications
indra’s ectoplasmic
ghost goo niche-ism; aethyr, sixth+ sense
foucauldian
‘(post)classification’ and/or (anti)syntax
hors texte/’box’
(8-legged dozing)
graal nexus
abstract strategy
grid games: go, othello, chess, etc.
minimal(ism)
geodesic
electrical madcap collage; song & dance cults (Bob, UBU, etc.)
phyto-
overheard
<>
ninkasi’s lambic....symbol
of completion...the unitive experienced in the individuated state...this is not an avatar…consumable
l’alchimie...virus-qua-cliché-et-vice-versa
poem
as (grid as anti-grid non-poem) a work in regress
exponential
memory rummaging
spiral
list
shake-n-bake; the DTs of Óðinn :seethe-seiðr-seizure
is
ampersand
Leon 5
Box 1
Box 2
Box 3
Box 4
Box 5
tentatively, a convenience
connect-the-alphabet-1a
connect-the-alphabet-1b
connect-the-alphabet-1c
fingerprinting
SkeletalRemainsEntireWsig
Ben Litman
Ben was a student of mine, crazy beautiful with slanted
intelligence and awkward talent hiding behind thick dirty glasses and adolescent
braces.
We often spoke about alternative music notations, occasionally trying
ideas on multiple keyboards and guitars.
Unfortunately, this particular idea, using parallelograms to position
notes, was one we never got a chance to try.
Ben lost his life in a house fire in Blackhawk, California, 2010. He was
17.
May his soul ascend to the highest level of Godhead.
Bill DiMichele
Composition 1
Composition 2
Composition 3
Composition 4
Composition 5
Composition 6
Accepting submissions for Tip of the Knife, Issue 11 at julie-d@prodigy.net
I'd love to turn you on.
This comment has been removed by the author.
ReplyDeleteIn "connect-the-alphabet-1c" the following sequence can be found
ReplyDeletewhen reading from top-to-bottom & left-to-right:
A CB G1 2 B A C02 0 8 U & I M 1 U R A P7 & Y N1 4 I?
A Seabee* gone to be a carbon dioxide Zero** ate you
and I am one
you are a P7*** and why none for I?
*Seabees are members of the United States Navy construction battalions.
**The Mitsubishi A6M Zero was a long-range fighter aircraft operated by the Imperial Japanese Navy Air Service
***The Lockheed P-7 was a four turboprop-engined patrol aircraft ordered by the U.S. Navy
"connect-the-alphabet-1a" contains:
he urned (t b) = the burned
ore hen (m t) = more then
pen andy (o k) = open kandy
eked 1 (r n) = reked none
t b = tuberculosis
m t = empty &/or mountain
o k = okay &/or only kidding
r n = registered nurse
He earned the burned Moorhen more than a Kandy Pen of wch he reeked none.
OR
He urned the burned tuberculosis mountain - okay to wreak no registered nurses.
Enjoyed this. Here's to 'shedding cultural accretion'! Sincerely, Henry Swanson
ReplyDelete